Garden at Sainte-Adresse
Garden at Sainte-Adresse | |
---|---|
French: Terrasse à Sainte-Adresse | |
Artist | Claude Monet |
Year | 1867 (1867) |
Medium | Oil on canvas |
Dimensions | 98.1 cm × 129.9 cm (38 5/8 in × 51 1/8 in) |
Location | Metropolitan Museum of Art, New York |
The Garden at Sainte-Adresse is a painting by the French impressionist painter Claude Monet. (Oil on canvas, 98.1 by 129.9 centimetres (38.6 in × 51.1 in)).[1] The painting was acquired by the Metropolitan Museum of Art after an auction sale at Christie's in December 1967, under the French title La terrasse à Sainte-Adresse.[2] The painting was exhibited at the 4th Impressionist exhibition, Paris, April 10–May 11, 1879, as no. 157 under the title Jardin à Sainte-Adresse.
History
Monet spent the summer of 1867 at the resort town of Sainte-Adresse on the English Channel, near Le Havre (France).[1] It was there, in a garden with a view of Honfleur on the horizon, that he painted this picture,[1] which combines smooth, traditionally rendered areas with sparkling passages of rapid, separate brushwork, and spots of pure colour.
The models were probably Monet's father, Adolphe, in the foreground, Monet's cousin's wife Jeanne-Marguerite Lecadre at the fence; Adolphe, her father; and perhaps, Sophie, her sister, the woman seated with her back to the viewer.[1] Although the scene projects affluent domesticity, it is by no means a family portrait. Monet's relations with his father were tense that summer, owing to family disapproval of the young artist's liaison with his companion, Camille Doncieux, his wife-to-be.
Monet called this work in his correspondence "the Chinese painting in which there are flags". His friend Pierre-Auguste Renoir referred to it as "the Japanese painting". In the 1860s, the composition's flat horizontal bands of colour would have reminded the sophisticated of Japanese colour wood-block prints,[1] which were avidly collected by Monet, Manet, Renoir, Whistler, and others in their circle. The print by the Japanese artist Hokusai that may have inspired this picture, Turban-shell Hall of the Five-Hundred-Rakan Temple (1830),[3] remains today at Monet's house-museum at Giverny.[4]
The elevated vantage point and relatively even sizes of the horizontal areas emphasize the two-dimensionality of the painting. The three horizontal zones of the composition seem to rise parallel to the picture plane instead of receding into space. The subtle tension resulting from the combination of illusionism and the two-dimensionality of the surface remained an important characteristic of Monet's style.
The painting is now in the New York Metropolitan Museum of Art. It was bought in 1967, with special contributions given or bequeathed by friends of the Museum.
See also
Sources
- The Metropolitan Museum of Art - Guide
References
- Cited
- ^ a b c d e "Garden at Sainte-Adresse". Metropolitan Museum of Art.
- ^ Catalogue of La Terrasse à Sainte Adresse by CLAUDE MONET. The property of the Reverend Theodore Pitcairn and the Beneficia Foundation, Bryn Athyn, Pennsylvania. Sale, December 1, 1967. London. Christie, Manson & Woods, Ltd.
- ^ National Gallery of Australia, "Turban-shell Hall of the Five-Hundred-Rakan Temple" Archived 2016-09-19 at the Wayback Machine, Monet & Japan (2001 exhibition)
- ^ "Turban-shell Hall of the Five-Hundred-Rakan Temple". nga.gov.au. Archived from the original on 19 September 2016. Retrieved 14 March 2015.
External links
- Impressionism: a centenary exhibition, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on this painting (p. 140-144)
- v
- t
- e
- View from Rouelles (1858)
- Le Déjeuner sur l'herbe (Paris / Moscow) (1865–1867)
- A Cart on the Snowy Road at Honfleur (1865)
- Camille (1866)
- Women in the Garden (1866)
- Woman in the Garden (1866)
- Regatta at Sainte-Adresse (1867)
- The Beach at Sainte-Adresse (1867)
- Garden at Sainte-Adresse (1867)
- The Road in Front of Saint-Simeon Farm in Winter (1867)
- On the Bank of the Seine, Bennecourt (1868)
- L'Enfant a la tasse (1868)
- The Magpie (1868)
- Interior, after Dinner (1868-69)
- The Red Cape (1868–73)
- Bain à la Grenouillère (1869)
- Houses on the Achterzaan (1871)
- Windmill at Zaandam (1871)
- Impression, Sunrise (1872)
- Regatta at Argenteuil (c. 1872)
- Springtime (1872)
- The Seine at Rouen (1872)
- Boulevard des Capucines (1873)
- Lilac Bush in the Sun (1873)
- The Seine at Asnières (1873)
- Resting Under a Lilac Bush (1873)
- The Seine at Argenteuil (1873)
- Argenteuil Basin with a Single Sailboat (1874)
- The Grand Quai at Le Havre (1874)
- Snow at Argenteuil (1875)
- The Train in the Snow (1875)
- Woman with a Parasol – Madame Monet and Her Son (1875)
- A Corner in the Garden at Montgeron (1876)
- The Studio Boat (Le Bateau-atelier) (1876)
- La Japonaise (1876)
- Arrival of the Normandy Train, Gare Saint-Lazare (1877)
- Waves Breaking (1881)
- Beach in Pourville (1882)
- Portrait of Père Paul (1882)
- The Cliff Walk at Pourville (1882)
- Anglers on the Seine at Poissy (1882)
- Stormy Sea at Étretat (1883)
- The Valley of the Nervia (1884)
- Garden at Bordighera, Morning (1884)
- Haystack Near Giverny (1884)
- The Pyramides at Port-Coton, Rough Sea (1886)
- Study of Rocks; Creuse (1889)
- The Valley of the Creuse, Sunset (1889)
- Boating on the River Epte (1890)
- Champ d'avoine aux coquelicots (1890)
- Le Jardin de l'artiste à Giverny (1900)
- San Giorgio Maggiore at Dusk (1908)
- The Doge's Palace Seen from San Giorgio Maggiore (1908)
- Le Grand Canal (1908)
- Nymphéas en fleur (c. 1914–1917)
- Weeping Willow (1918)
- Le Bassin Aux Nymphéas (1919)
- Water Lilies (1919)
- Gare Saint-Lazare (1877)
- Cliffs at Étretat (1885–1886 - Massachusetts / Moscow)
- Haystacks (1890–91)
- Poplars (1891)
- Rouen Cathedral (1892–1894)
- Mount Kolsaas (1895)
- Charing Cross Bridge (1899–1904)
- Waterloo Bridge (1900–1904)
- Houses of Parliament (1900–1905)
- Le Grand Canal (1908)
- Le Palais Ducal (1908)
- San Giorgio Maggiore (1908–1912)
- Water Lilies (1897–1926)
- Camille Doncieux (first wife)
- Alice Hoschedé (second wife)
- Jean Monet (son)
- Michel Monet (son)
- Suzanne Hoschedé (step-daughter)
- Blanche Hoschedé Monet (step-daughter and daughter-in-law)
- Theodore Earl Butler (son-in-law, married Monet's step-daughters, Suzanne and Marthe)
- Jacques-François Ochard (teacher)
- Eugène Boudin (teacher)
- Ernest Hoschedé (patron)
- Paul Durand-Ruel (dealer)
- The Improvised Field Hospital (1865 painting)
- A Studio at Les Batignolles (1870 painting)
- Claude Monet Painting in His Garden at Argenteuil (1873)
- Claude Monet Painting in his Studio (1874 painting)
- Portrait of the Painter Claude Monet (1875 painting)
- Monet: The Mystery of the Orangery (2000 video game)
- The Impressionists (2006 series)
- Pays des Impressionnistes
- Monet (crater)